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NYC Day 3 – Oct 25, 2009 (evening)

After returning to the hotel for a nap, we discovered our tickets were for 7:30 rather than 8, so we had a bit less time than we thought. No big deal. We slept for a bit, then headed to the Booth! The front row mezz seats we bought in advance were awesome. It’s hard to say if it was “worth it”. Broadway is insanely overpriced these days even with discounts – but that’s another rant for another day – I was thrilled with our seats, overpriced or not.

Although I could tell the two-show day was wearing a tiny bit on Alice’s voice, she was still mind-blowingly awesome. As was the rest of the cast. I can’t say anything bad about this show. I’d bought the cast recording quite awhile before the trip and was very, very familiar with the show, but despite knowing everything I did, it couldn’t have prepared me for what I saw. One spoken line in particular still haunts me to this day – “Four months for the life of my child.” Shivers up my spine. Amazing performances by all.

Speaking of performances, I’d overheard that it was the drummer’s last night. As such, he had a rockin’ solo after the curtain call, which was met with cheers from much of the audience.

We hit the stage door afterward, but sadly, Alice Ripley, Jennifer Damiano, and Aaron Tveit were no-shows. Ah well. (I’m an idiot when it comes to chatting at the stage door anyway. (I could know you for years and still sound like a fool after seeing your jaw-dropping performance; it’s not so much being star-struck as finding the right words so soon after an impressive display).

We were starving by then, so we headed west to Five Napkin Burger for dinner. I indulged in some beef despite the fact that my stomach despises it and loudly complains about it after eating. But sometimes you have to ignore the stomach’s ridiculousness to appease the tongue. And I was very glad I did. I got the “Original”. It’s not likely that I would agree one should ever pay $15 for a burger, but… this was… really good. And the wait staff was great, which always helps sooth price tag angst.

After that, it was back to the hotel to collapse into bed. Although I’d normally find it difficult to sleep after the euphoria of two shows in one day and seeing the magnificent Alice Ripley perform at all… exhaustion had me beat and I was out the second my head hit the pillow.

Edited: January 17th, 2010

NYC Day 3 – October 25th, 2009 (morning and afternoon)

This is beyond overdue. I told myself if I didn’t get all my trip recaps and photos online within two weeks, I would wait forever. Well, it’s not forever, but far longer than it should have taken. I know myself too well. ;) Without further ado…


Since L&J were due back to their apartment early, we got up early so we could head out and let the weary travelers sleep. We talked to them for a bit when they arrived, and headed out to start our day. Recalling from the previous day’s adventures that the MTA doesn’t want you to take the train on the weekend, we headed over to the 1 (RIP 9 train).
We headed over to the hotel we’d be sleeping at (for free thanks to an employee/friend with whom we’ll be staying later in the week), checked our bags, and headed out to Times Square.
Though slightly chillier than the previous day, there was not a cloud in the sky! Yay! A beautiful fall morning was ahead of us. We stopped at the Starbucks in Times Square. White mocha americano for me, cider for Rie, and a piece of pumpkin loaf for us both, which we enjoyed at the nouveau pedestrian mall that is Times Square.
Given the meager amount of people that actually sit at the tables on Broadway (which is now closed to street traffic), I think everyone is still confused about this. It certainly makes Times Square quieter, it’s kinda handy for walking around, it lightens the foot traffic, but it just feels and looks weird!
After getting some photos and video, we had time to kill, so we meandered up 7th St, feeling Central Park’s siren call beckoning us uptown. Unable and unwilling to fight its summons, we floated toward the park.
I could have so easily traipsed all the way to Central Park North, but we did have to head back down to the Neil Simon theatre (52nd St.) in time for the Ragtime lottery. As such, we stayed near the playground and baseball fields, people-watching, gazing at the fall colors, and reconnecting with one of my favorite parts of Manhattan.
After checking out some kind of protest on Central Park West, near the Trump building (nothing terribly exciting or interesting), we walked back down by way of Columbus Circle.
Although we did not luck out at the Ragtime lottery (I have horrid luck when it comes to those things for the most part), we took a look at ticket prices, feeling drawn to the $46.50 rear mezzanine seats. The number sounded familiar and I whipped out my iPhone to check my saved Playbill discount emails. Sure enough, there was a $46.50 mid-mez coupon (seats regularly $80-something). WOO! We went to the box office, the guy asked if we had a print out, so I slid my iPhone with the email on it under the box office window.
This was my proudest moment as an iPhone owner. The guy behind us (who’d merely written down his code) was impressed by my geekery as well. ;) We had a fun chat with him – I love bonding with people in lines.
We had about an hour to kill before the show, so we headed over to Hale & Hearty for some soup and half a sandwich for lunch. Ahh, I missed that little local chain.
Ragtime was incredible. A few weak spots and a sour note or two from Coalhouse, but overall well worth seeing (love the original Broadway cast recording and the Papermill cast). One thing I hate about LA theatre is that no one gives a crap about the orchestra. It’s all about who can get to their car fastest. And so I forgot that NY audiences are for more appreciative as a LOT of the audience stayed behind to applaud the orchestra after they finished. And they were so, so deserving. Full orchestras are where it’s at. Let’s make it the norm, Broadway!!

Since L&J were due back to their apartment early, we got up early so we could head out and let the weary travelers sleep. We talked to them for a bit when they arrived, and headed out to start our day. Recalling from the previous day’s adventures that the MTA doesn’t want you to take the train on the weekend, we headed over to the 1 (RIP 9 train).

We headed over to the hotel we’d be sleeping at (for free thanks to an employee/friend with whom we’ll be staying later in the week), checked our bags, and headed out to Times Square.

Though slightly chillier than the previous day, there was not a cloud in the sky! Yay! A beautiful fall morning was ahead of us. We stopped at the Starbucks in Times Square. White mocha americano for me, cider for Rie, and a piece of pumpkin loaf for us both, which we enjoyed at the nouveau pedestrian mall that is Times Square.

Given the meager amount of people that actually sit at the tables on Broadway (which is now closed to street traffic), I think everyone is still confused about this. It certainly makes Times Square quieter, it’s kinda handy for walking around, it lightens the foot traffic, but it just feels and looks weird!

After getting some photos and video, we had time to kill, so we meandered up 7th St, feeling Central Park’s siren call beckoning us uptown. Unable and unwilling to fight its summons, we floated toward the park.

I could have so easily traipsed all the way to Central Park North, but we did have to head back down to the Neil Simon theatre (52nd St.) in time for the Ragtime lottery. As such, we stayed near the playground and baseball fields, people-watching, gazing at the fall colors, and reconnecting with one of my favorite parts of Manhattan.

After checking out some kind of protest on Central Park West, near the Trump building (nothing terribly exciting or interesting), we walked back down by way of Columbus Circle.

Although we did not luck out at the Ragtime lottery (I have horrid luck when it comes to those things for the most part), we took a look at ticket prices, feeling drawn to the $46.50 rear mezzanine seats. The number sounded familiar and I whipped out my iPhone to check my saved Playbill discount emails. Sure enough, there was a $46.50 mid-mez coupon (seats regularly $80-something). WOO! We went to the box office, the guy asked if we had a print out, so I slid my iPhone with the email on it under the box office window.

This was my proudest moment as an iPhone owner. The guy behind us (who’d merely written down his code) was impressed by my geekery as well. ;) We had a fun chat with him – I love bonding with people in lines.

We had about an hour to kill before the show, so we headed over to Hale & Hearty for some soup and half a sandwich for lunch. Ahh, I missed that little local chain.

Ragtime was incredible. A few weak spots and a sour note or two from Coalhouse, but overall well worth seeing (love the original Broadway cast recording and the Papermill cast). One thing I hate about LA theatre is that no one gives a crap about the orchestra. It’s all about who can get to their car fastest. And so I forgot that NY audiences are for more appreciative as a LOT of the audience stayed behind to applaud the orchestra after they finished. And they were so, so deserving. Full orchestras are where it’s at. Let’s make it the norm, Broadway!!

After Ragtime, we headed back to the hotel to grab a nap before Next to Normal.

Edited: January 17th, 2010

NYC Day 2 – October 24th: Evening Post

Rain, rain, rain.

It wasn’t too bad this afternoon. There were moments where it would sprinkle, then stop, then a few minutes later, downpour. Then, a few minutes after that, nothing. Figured the Yankees/Angels game would be good to go.

One thing that has not changed about New York is the craptastic weekend train schedule. We walked to the A-C line to find that it was running express. Unsure if the shuttle was free or not (our Metro cards were only good for the subway since the greedy MTA made some evil changes to the pricing structure), we walked over to the 1. Feels weird to not say 1-9 =( RIP 9 train. Anyway. Took that down to 42nd St which took FOREVER.

We had lunch with J at Joshua Tree in midtown. I missed that Asian chicken salad SO much. YUM! After talking for a bit, we parted ways, and got in line at TKTS.

We got three tickets to “Superior Donuts” which K was seeing with us. From there, Rie and I headed to Starbucks to get some caffeine and make a plan of attack for Sunday. We left there to head to the box offices of a few different theatres to inquire about rush policies and other ticket-related questions. LOVE the Shubert organization’s LCD screens with the ticket prices in the lobbies – very handy.

After that, we met K at Ollie’s for dinner.

Around this time, it started pouring non-stop. Torrential downpour style. Eek! By the time we reached the Music Box Theatre, we were DRENCHED.

The play was amazing. So much so, I forgot I was sitting there feeling so wet. Michael McKean and Jon Michael Hill were fantastic. I better see some Tony noms there.

After the show, we headed back uptown, excited by the prospect of dry clothes and sleep.

Got one. About to get the other.

Edited: October 24th, 2009

Theatre, the Tony Awards… and studentia.

First off, while I think Next to Normal deserved more Tony Awards than it received, I’m infinitely pleased by Alice Ripley’s win as that mattered most to me. Nothing more exciting than seeing a performer who’s worked her buns off finally get recognized for it.

It didn’t really dawn on me how long it had been since she’d actually been on Broadway since I’ve been lucky enough to see her do so many other things in the meantime. The Baker’s Wife at Papermill (amazing) and after I’d moved out to the west coast, she did Little Fish out here which I absolutely loved. Not to mention Ripley concerts at the Red Lion in NY and, out in soCal, I think we saw her at The Mint? Can’t remember. But I feel incredibly lucky to have seen Alice perform on both coasts over the past several years. Her temporary move to California coincided with mine and I’m very grateful to her for thinking of me. ;) (I kid, I kid! Though it does help abate a girl’s homesickness when performers she associates with New York suddenly appear on the west coast!)

I made the mistake of swinging by a rather well-known Broadway message board after the Tonys to see what people had to say.

Lots of slamming of Alice’s speech… this confused and baffled me. I’d thought it was a great speech, particularly given the amount of show she’s done at the Kennedy Center (Next to Normal among them). And knowing the ridiculous (and completely unacceptable) amount of sound problems that were evident throughout the show, I did, actually, attribute her loudly spoken words to that. Heck, if we could hear stuff not working on TV and hear sound people yelling into mics before running onstage with them (ahem), I assume stuff wasn’t working at the show either. Turns out, I was correct as someone who’s friends with Ripley on Facebook reported on said message board. Well, duh.

Nevertheless, people were excessively nasty and downright cruel. About a speech! About the volume at which a speech-giver gave the speech and implying that she’s insane because of it?! Good lord, people!

What I love most about theatre is the ability to directly portray what it means to be human. For example, Next to Normal is largely about dealing with grief. How one copes, or doesn’t. And what each of the characters in Next to Normal go through is so incredibly human and real. I love that. I love that I can connect with each of the characters and feel what it’s like to experience their lives as they do.

So it’s such an odd thing, to me, to see an actress win an award for a part in a show that requires an open mind and heart… and, afterward, read about people slamming those same doors shut just to be unnecessarily mean.

I should mention these are the same message boards that caused Laura Benanti some major frustrations years ago when she was missing performances in Into the Woods due to a broken neck. Ah, but I guess that’s humanity, too. People are always more willing to judge and develop their own  opinions rather than ponder that there is, perhaps, a reasoning beyond the limits of their own minds for various occurences.

Onto life as a student…

I’m greatly enjoying my necessary summer break. It’s nice to go straight home after work and not have to worry about homework, reading, or studying. Though I’m already getting antsy for next semester. Funny how that works.

I have mostly been focusing on what classes to take. I was inititally intending to mostly take theatre classes since I desperately need to be reminded what I’m doing here (missing NYC quite a lot lately).

I have recently discovered that theatre classes are mostly day classes. While this is all well and good for young students whose parents can afford to support them so they don’t have to work during the day, this is extremely unhelpful to those of us who are older, have rent and bills to pay, and need a job to do that.

I’m not sure what to do just yet. Friday is my “Saturday” and I’d like to be able to actually have a weekend, though by the looks of things, I may be squeezing several classes into one Friday. This sucks for many reasons, one being that once-a-week classes are exponentially more difficult than twice-a-week classes. For me, anyway.

Even if I could change my work schedule to allow me to take day classes during the week, if I got cast in a show (which would be really, really nice), I’d need evenings to do that.

I really bothers me that the system is designed to encourage adults not to go back to school. Everyone I know always tries to say “it’s never too late!” but what they don’t tell get is that colleges don’t really agree with that. Rules are in place to tame flighty teenagers, curriculum is designed around their just-out-of-high-school mindset, and schedules cater to their lifestyles rather than the lifestyle of the responsible adult.

It makes me sad. I’m second-guessing the whole school thing even though it’s what I moved back to California for and one of the most important parts of my life right now. Arrrgh!

Edited: June 13th, 2009

Tony Awards Tomorrow!

Got your ballots ready?

I printed mine out from the Tony’ Awards website and am currently in the process of filling it out. And researching because there are more categories than I expected that I’m not familiar enough with. Oops. My roommate and I are watching “Show Business – the Road to Broadway” as we research and check boxes. Our ballots are looking a bit different, so this should be interesting!

All I can say is that I really, really want to see Alice Ripley win.

Oh. And this is really, really making miss New York.
(moreso than usual, that is).

Edited: June 6th, 2009